Sing to me Goddess the anger of Achilles...
In '65 I was 17, like the man said, and reading the Lattimore Iliad that summer for a course I was signed up to take in the Fall at the University of Rochester in upstate, as everybody called it, New York. Upstate meant anything outside the City. You didn't need to ask which one, even though it was 350 miles downstream along the NY State Thruway, turn south at Albany. The middle of nowhere, in other words. From a certain perspective. Long way from Troy if you meant the one in Greece. And if you meant the Greece in the Mediterranean. The surveyors who named the cities in NY state had a classical education, so there were replicants all over: Ithaca, Utica, Attica, Syracuse, Rome. And I was turning the pages somewhere in there, a million years ago, Achilles sulking in his tent, then Hector defeated, dishonored, left for the dogs, and Helen up for grabs, who launched a thousand ships, who wept at her tapestry watching the battle rage below. At her tapestry, which will be central to my little story here some 40 years later. Listen...
The course, Mycenaean Civilization, was taught by this guy named Dean Miller. He wasn't a dean, just an ordinary professor. He was younger then, of course. He was full of energy, full of ideas. He was full of... But no, let's let the story unfold. He was particularly fond of talking about Marshall McLuhan. I remember McLuhan was very hot that year, as was Claude Levi-Strauss. This was before post-structuralism got big, so all you'd hear was the raw this and the cooked that until you were nearly crazy. I had to read The Gutenberg Galaxy too, though I didn't. Something about "media" -- what was that? It would be four years yet before I'd hear the word "software" and wonder about that one too. What did you do in the War, Daddy?
Well, a bunch of things, really. Sort of hard to explain. Which, anyway, took me right up to last night when I found myself, in a manner of speaking, searching up more weird ideas on Amazon and Highbeam (a wonderfully complementary combination, if I haven't mentioned that). It must have been about 4am when I ran across these books I didn't know I'd been looking for. Odd, you say? No: paydirt. Rather than try to explain the abstract concept, perhaps the case in hand would make the case in point, i.e., be more enlightening. But naturally, this needs a bit of background first.
It's sort of surprised me that I've been thinking so much about religion lately. Or "spirituality" if you insist (though they're not the same thing; especially these days). But I guess I have been. It's not that I'm feeling more reverent or more needful of higher powers, hearts and flowers, whatever, but more like wondering why the people of your planet go insane so easily (I hope they're not monitoring this back home -- even if only for Quality Assurance Purposes). Or indeed, if "going" insane comes into it at all, as the distance to get there seems infinitesimally small, given what you're given to begin with. Which is to say: religion. I do hope I'm being clear. When you've worked alone as long as I have, it gets hard to tell.
Anyhow, there I was querying my ass off, and one thing led to another, as one thing often will. The books I found -- unfortunately way too expensive for my limited book budget, which I exhausted back in 1989 -- were these:
- The Insider/Outsider Problem in the Study of Religion: A Reader
and
- Guide to the Study of Religion
While they're intimately related, the first explains my suddenly bird-dogged attention better than the second. Because here's what I'd been wondering: how can anyone write a half-way (I don't want to say "objective" so let's say instead) disinterested account of religious belief if that selfsame anyone is firmly ensconced within said belief system? Conversely, how can anyone who's not a believer know enough about what said beliefs are to know what he or she is talking about? Granted, many academics have no trouble writing about things regarding which they have not achieved Clue One, but still. This question has been bending my head into funny shapes of late. I know. Call me silly.
But it's been driving me a little batshit because -- and you will understand this immediately if you read the preceding paragraph -- it's hard enough to phrase the question so that anyone knows what you mean. You know what I mean? Not to mention why you're asking yourself that of thing.
So I was pretty excited to find such a succinct rephrasing of my query. It turns out to be the old Insider/Outsider Problem in the Study of Religion. Oh. [smacks head as in vintage V-8 ad.] Why didn't I think of that?
Library Journal says (and here note the distinct echo of my own soul'd-out searching, though LJ -- if I may be allowed an observation -- is more prolix):
The insider/outsider problem in religious discourse has its impact at the academic level, rarely venturing into lay realms of belief and faith. The notion that someone can get inside another's belief system and speak with integrity about it exists in tension alongside the notion that only those within a tradition can speak for it. The debate rages on between etic and emic, reductionism and belief, anthropology and theology. These controversies continue, remarks editor [Russell] McCutcheon, but re-creating the claims and counter-claims provides invaluable insight. Reprinting stellar essays from the likes of Kant,
Geertz, Otto, and current scholars like Wendy O'Flaherty and Rosalind Shaw, this work covers religious experience, religious anthropology, reductionism, neutrality, and the scholarly voice.
I have to say the scholarly voice is much in evidence in this capsule review. And etic? emic? I suspect that I must've absent that day. Plus, what's Otto's last name? Or is it just plain Otto, like in Repo Man?
But forget this whole introduction, because none of it matters that much for our story. Sorry. I just couldn't think of any other way to explain why I was looking at The Western Construction of Religion: Myths, Knowledge, and Ideology -- which was the next (or the nth) book I linked to from the above, such are the wonders of Amazon's collaborative filtering tech (a story for another time, perhaps). And what was most curious about The Western Construction of Religion: Myths, Knowledge, and Ideology was the following blurb on the back cover...
Now, if you've been 'paying' attention (though I can hardly 'blame' you if you haven't been) you may 'prick up' your ears at "Dean A. Miller." I sure did. Because he is, in very fact, the same Dean Miller I took that course from in 1966 or so. And here's what happened back then that I found notable enough to share with you today.
Dean Miller -- that would be Dr. Miller to you -- was up at the blackboard in front of oh I dunno say a couple hundred freshmen in this big old lecture hall waving his arms around and expostulating (not a swear word) with what I can only describe as extreme enthusiasm about some theory I'm trying -- and failing -- to wrap my head around having something to do with Hot Media and Cool Media and Gutenberg and McLuhan and -- after circuitous detours through The Raw and no doubt in my mind whatsoever The Cooked -- arrived at The Iliad. Ta da! It was a tour de force. Wow.
Except I had no idea what he was on about. Huh?
The theory -- nay, the proposition, the proposal -- we were expected to embrace with appropriately enraptured awe -- was something about there being no pictorial representation in The Iliad except for the shield of Hephaestus, which was wrought with many fabulous designs of Greeks and other suchlike types who, after sacrificing a goat or two to Zeus or Poseidon or Priapus or someone, set sail on the wine-dark sea, &cetera, und so weiter, and so on. Yes, yes, it's all coming back to me.
And the reason only Hephaestus had pictures was that he represented a pre-Hellenic metallurgical culture -- much handwaving here, the chalk flying as arrows and diagrams were dashed up on the blackboard, the pace quickening as Professor Miller approached the crescendo of this demonstration of his boundless erudition -- and the reason for the metallurgy thing was evidently explained by the many excellent insights Mircea Eliade provides us in The Forge and the Crucible: The Origins and Structure of Alchemy. "So there," he finished.
Herr Professor Doctor Miller waited a beat for our thunderous applause.
Which just wasn't slated to happen that day, because I raised my hand. More timidly than I might do so today, to be sure (should I ask this? was I being a smart aleck? after all, I'd barely understood a word he'd said).
"Yes?" he snapped, visibly annoyed.
"Uh, well, I mean... what about that tapestry Helen is weaving?" I asked.
A portentous silence in which he attempts to stare me down. Then...
"What book is that in?" he snapped again, even more annoyed, if that were possible. Oh no, what had I gotten myself into? But nothing for it now but to press on.
"The Iliad," I said, wondering why he was asking such a stupid question. Hadn't he even read the thing?
"No, no," exasperated now. "What book of The Iliad?" And I could tell he wanted to add: you idiot!
"I dunno," I offered unhelpfully. "Seven? Eleven? In the middle someplace..."
At which point -- I guess finally accepting that I was right; some dim memory from his own undergraduate days, perhaps? -- he swept all his stuff off the lectern, stuffed it into his bag... and left.
I mean, stormed out and the door slammed behind him. Bang! Gone in 30 seconds. And all these kids around me were going like "What just happened? What was that about?"
Of course I knew what it was. The Deadly Sin of Pride. Ho-ho.
Well, win a few lose a few, I thought, and left myself.
Now, I guess I forgot to tell you that my dad was also a professor at the U of R, which is important. Because when I got home that night he said, "I ran into Dean Miller in the Faculty Club this afternoon and he was really getting hammered. He could hardly talk he was so drunk. He said you 'shot him down' in class today. What was that about?"
I laughed and told him the story, thinking the whole thing was pretty funny. Heh-heh.
"You don't get it," my father said. "He wasn't laughing. He was seriously pissed!"
Of course, he didn't give a rats ass, any more than I did, not having much use for Dean Miller and his well known bullshit. My dad's been dead for some years now, so I guess I can reveal what probably wasn't much of a secret back then anyway.
As for me, I left the University some months later never to return, having learned the one lesson I've never forgotten from those halcyon days: everybody's pretty much full of crap, and if their lips are moving, lying. I never thought I'd run into the guy again, so imagine my jawdrop last night. I hope you find this screed someday, Dean baby, ego-surfing the web for elusive accolades, and know this one thing at the end of a long and fruitful life: rock and roll never forgets.